Deborah Hutcheson

The Flexographic Prepress Platemakers Association (FPPA) convened its ninth annual convention last month in Amelia Island, Fla. During the three-day conference, presenters from the supplier and provider communities shared their insights on a variety of topics. Following a keynote address by Bill Raaths, CEO of Great Northern Corp., sessions included “The Effect of Simultaneous Imaging and Direct UV Main Exposure on Digital Plates and Sleeves” by Ian Hole of Esko-Graphics; “Remote Digital Proofing: Contract Color and Content Proofing at Remote Sites” by Deborah Hutcheson of Agfa Corp.; “Forensically Invisible Brand Protection Packaging” by Kevin Harrell, Creo/Kodak; “In-the-Round Production Technology” by Dan Rosen of Flint

Industry experts lend their advice on the best ways to approach remote proofing for packaging. IT HAS BEEN observed that Ginger Rogers did everything Fred Astaire did, except that she did it backwards and in high heels. It's the same with proofing (Fred) and remote proofing (Ginger). Throw in the complex proofing requirements of packaging printers and a straightforward series of dance steps becomes an intricate high-wire act, in which the accurate long-distance reproduction of graphics, text, placement, and structure—as well as the matching of special brand or logo colors—can make or break an important job. Like commercial printers, packaging printers can save