Michael Jahn

Package printers are just now beginning to see the light at the end of a long tunnel of confusing, and often ill-fitting file formats. by Terri McConnell Even dynamite could not have changed the face manufacturing infrastructure of the printing industry more than the advent of desktop publishing and the subsequent adoption of PostScript. Up to that point, prepress automation was directed by a handful of highly-specialized equipment suppliers who built color electronic prepress systems (CEPS) around laser-powered film output devices. CEPS were, for the most part, closed, proprietary environments—not a big problem as long as the origin and form of printing content were